You just sold another 100,000 singles’.”īut there was a flip-side.
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Unintentionally, I gave a cheeky little smile to the camera at the end, and afterwards our TV plugger said: ‘That was brilliant. I still remember singing it on the Wogan show. One minute we were playing in France, I think it was in Toulouse, to 100 fans, and the next we had our own private Learjet. “Releasing a song like Kayleigh sent our career into hyperdrive – like that moment in Star Trek when the screen goes white. Of the immediate effect on the band’s career, Fish says:
“No one wants to appear churlish,” Fish muses on failing to achieve the top spot, “but on an egotistical level I was as gutted as Midge Ure must have been when Vienna was pipped to the post. Understandably, the band were disappointed when Kayleigh was kept off the top spot in the UK chart by You’ll Never Walk Alone, a charity single by The Crowd that was released in the wake of the Bradford City fire disaster. We’ll be back in two-and-a-half hours get it fucking done’,” Fish guffaws, adding: “Chris did at least gave me a load of booze and some other stuff, which I’ll leave to your imagination.” “He told me: ‘We’re all going out for a meal. Fortunately producer Chris Kimsey had a solution. “We would just jam it, and then see what worked and what didn’t,” Fish recalls.Įven when the band arrived at Hansa Studios in Berlin to begin recording, the second verse of Kayleigh still remained unfinished.
When they previewed half of the Misplaced Childhood album at Hammersmith Odeon in December 94, Kayleigh was included but in extremely formative lyrical state. That’s beautiful.”Īware of the song’s importance, Marillion allowed it to develop at its own pace. “My favourite line was the one about ‘ cherry blossom in the market square’. But every one of those lyrics is true,” the singer affirms. “That actually happened in Galashiels with a girlfriend called Lesley.
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